I subscribe to Audible.com because I enjoy getting credits for new audio books each month. A couple of days ago, my phone alerted me that I had two credits and I started shopping. There are several novels ready to go on my phone, so I browsed nonfiction.
Which exposed me to Fiction Unboxed by Johnny B. Truant and Sean Platt. Fiction Unboxed, though interesting, tasted like an appetiser to me. So today I started on Write-Publish-Repeat. I had heard of these guys from a friend of mine who listens to their podcasts and I had also downloaded the free "loss-leader" to their Unicorn Western series. (So far that series is fun, but I have not read the entire book, yet.)
Similarly, I have not finished WPR. This is not a book review, but a moment I wanted to share just in case anyone is listening.
I have read a lot of books on writing, marketing, and everything in between. I have a Master's Degree in Public Administration, which familiarized me with the Pareto Principle and the 80/20 rule. The concept of "1,000 true fans" is not unknown to me, but rather something I dream about and flounder toward in reality with my marginal marketing efforts (and more marginal budget of time and money).
So far I am very familiar with the message Truant and Platt are sharing, yet I am also really enjoying the book and feel as though they may bring it all together for an ah-hah moment. I have always believed that hard work matters, and that is a key message told often and early in their book.
I will continue to listen to the WPR audio book. I have already recomended it to one my closest most talented writing friends, and he bought it. If everything goes as I hope it will, I may even write a review when I am done listening and post it. (Lately I have not been writing as many reviews. My life revolves around familiy, work, and writing with sporadic trips to the gym.)
I hope your day is going well and getting better.
That first cup of coffee after so many weeks was markedly different than the previous lifetime of caffeine saturated experience. In the past, I just didn't feel it. Consumed in moderation, or at least on a reasonable schedule, coffee is my new best friend. I will not be going back to diet soda, mostly for fear of the mysterious chemical cocktail that had me so addicted to the stuff--you know, making midnight runs for a two liter and drinking diet soda with every single bite of every single meal.
Then I Realized I Had a Problem
The coffee I made at home tasted bad and the stuff at my favorite gas station convenience store was not good. With nothing left to do but throw myself on the ground and curse fate, I turned to the internet to learn how to make good coffee. I started with Starbucks here.
Along comes Monday morning. I don't work until later. The wife just went to work and the kids are at school. It is time for some experimentation and a taste test. Since I am not a professional, or even skilled barista, please refer to the Starbucks link above for an explanation of how I made the two kinds of coffee by coffee maker and by coffee press.
Around this time, I also started meeting with Josh Hayes (author of Second Star: Breaking Through and The Forgotten Prince) at Barnes and Noble or Mead's Corner (a local coffee shop). We discuss writing, but mostly we set a timer and do writing sprints. This has helped my motivation immensely. I highly recommend the practice. Call me a complete writing geek, but I would rather do this than any other "social" activity."
Thanks for stopping by and reading this article. Please take a look at my author page and see if you or anyone you know might enjoy my science fiction or urban fantasy / horror novels.
Have a great day!
Do you have limited writing time but big goals?
Are you a writer? If so, are you meeting your writing goals?
Writing is a passion, one usually cobbled together from stolen moments and highs of inspiration. But if you get the writing bug and you get it bad, finding enough time is often a source of frustration.
Why write more?
Because fans like to read more. That is my number one answer. I’m a reader as well as a writer. I’ve fallen in love with a series that I’ve stayed with for 3 years and am now anxiously awaiting the last book - which should come out in two years. That is a whole lot of anxious waiting! And let’s not talk about another story I love that currently exists as short stories spread across several e-zines and books. I have meticulously copied all of them to one spot. I am her number one fan. She has plans to write a book … someday. I want to cry.
So yeah, keeping fans from becoming the frustrated and then jaded reader I am today is definitely a goal. When I was a teenager, a new book a year was acceptable. It still is, even though THAT was quite a while ago and long before ebooks. Now, a new book every six months is considered a professional target. More often is great. Fans want to be filled with anticipation - not angst.
And professional is the other reason to write and release more books, great books. Because let’s face it, if you have any hope of making a decent income from writing, one where you can potentially scale back that full time job to write, you either need to write and release more or have a really good retirement plan lined up. I’m not a teenager anymore, but I don’t want to wait that long to write full time!
So I committed myself to writing more and writing better because I not only love it, but want to make it a career. With a lot of trial and error, I developed seven key techniques and five writing tools that worked. How well? I wrote 4 ½ books in a year and they are the best I’ve written so far.
To be clear, I’m not talking about typing faster. Who cares how fast you typed a page if you end up deleting it? Meeting a writing goal of producing more novels in a year means creating a great story faster. And there are tips, tricks, and tools to do that. It is a paradigm shift to believe writing more in a limited time is achievable.
It is possible. I’m proof. But I want to be more than proof. I want to help other writers do the same thing. Seriously!
Writing time is a limited resource. Use it well.
I’m serious about teaching this to other authors. So serious that I’m launching a pilot class to not only teach the seven techniques and those five customizable tools, but also to work one-on-one with the students to make sure those same tactics work for them. Everyone is different and in a different situation. I want everyone to be successful.
Since this is a trial course with lots of coaching, enrollment is very limited. If you are interested in learning more please get in touch with me at firstname.lastname@example.org I’d love to talk to you!
(Webmaster's note: try accessing Autumn's course here.)
I have come to a point in my writing career at which I must admit my addiction. Oh, sure, there are worse vices, compulsions, and irrational behavioral problems than what I face. And to be honest, I really have no intention of changing.
However, it is time to get organized.
I have read a lot of books on the craft of writing. Today, I place them in a rough syllabus for further study. All of these titles contain valuable lessons and bits of inspiration. They are like family to me; often arguing and bickering to the point of ridiculousness. Sometimes, as I watch the debate, I see what many of the authors don’t seem to recognize--they agree more often than they think. In many cases it is a matter of semantics and syntax as much as true disagreement. There are complementary layers of greatness in these books on how to write fiction.
My goal has always been to learn what I need to write well from the combined tenets of all the best writing coaches I can find. So here is the list in the order I am currently studying them (with no attempt to reveal which is my favorite; it is merely where I am starting today):
Story Trumps Structure (by Steven James)
I had the chance to listen to this author speak at OWFI and later started reading The Bower Files. If you have a chance to hear him talk, do it.
Story Fix (by Larry Brooks)
I just picked this one up because I really learned a lot from Story Engineering and Story Physics--which are on my list for further study.
Story Engineering (by Larry Books)
Although I wasn’t an outliner at the time, and still struggle with pre-planning stories, the observations in this book blew me away. I remember watching World War Z afterward and exclaiming “Right there! That’s the First Plot Point! Exactly like in Story Engineering!
Story Physics (by Larry Brooks)
This one goes deeper and expands on the ideas in Story Engineering.
Blueprint Your Bestseller (by Stuart Horwitz)
This book explains, in detail, how to break your book down into scenes and then put it back together in narrative order. The concepts are novel and powerful; it takes work to grasp everything but it is worth it.
Book Architecture (by Stuart Horwitz)
I wrote a blog article on this one here.
Self-editing for Fiction Writers (by Rennie Browne and Dave King)
It has been awhile since I read this one, so I won’t butcher it by attempting a summary here. However, it is a must read. One of the take-aways deals with “small scale telling” and is something I use everyday.
Writing the Blockbuster Novel (by Albert Zuckerman)
Where can you find a step-by-step breakdown of how Ken Follet writes a bestseller? In this book, that’s where.
How to Write a Novel Using the Snowflake Method (by Randy Ingermanson)
This is a step-by-step method that I have tried several times with mixed results. Some of the products of this method are awesome enough to convince me I need another look at it.
There are many other books on my to-read (and to-re-read) list, but this should do for now.
Please visit my Amazon Author Page here to check out some of my science fiction and urban fantasy.
(Note: I have NO affiliate links with any of these books)
Three of my favorite books on writing faster are 5000 Words Per Hour by Chris Fox,
2k to 10k by Rachel Aaron, and
Writing In Overdrive by Jim Denney. Each has valuable insights of their own, but also share a common theme. Fast writing is not bad writing. We don't have to agonize over each word before moving on.
Some legendary authors do it that way. I read that Kurt Vonnegut perfected each page before moving on. Personally, I tend to start from the beginning when writing organically, which results in the first three chapters being heavily polished. The words come harder after 30k words, because it becomes more and more time consuming to read from the beginning as the novel grows.
It is a good method and I like it. So does the author of Story Trumps Structure, Steven James. Writing organically is sometimes fast and often slow, but there are many real advantages, assuming you don't get stuck. I will talk more about this in a separate article.
This article is not about plotting versus pantsting, but about productivity.
The Number One Reason to Write Fast
The best reason to write quickly is not just to make your word count everyday, but to find continuity. There is a high probability that a rapidly written story (a novel in one month or two weeks or nine days...) will need a lot of revision and editing. Parts may be destined for the circular file.
But you will learn a lot about your characters and their journey. There is also a good chance that the first draft will be better (and more consistent) than you could have hoped for. As a bonus, all those rabbit trails might be the start of other stories with real potential.
So try this to jumpstart your writing:
1) Brainstorm an outline in one day; create a list of scenes and characters.
2) Set that outline aside and refer to it only when necessary if at all.
3) Set a high word count goal for each day am meet it.
4) Do not edit anything.
5) Take a break before revising.
The results may surprise you.
This has been one of the hardest decisions I have made in years. After putting a lot of time effort and money into the Grendel Uprising project, I have decided to pull the first to episodes (Proof of Death and Blood Royal) from publication. My original goal was to publish one episode a month. Other projects and obligations have interfered. So today I removed them from Amazon.
I will begin working on the Grendel Uprising projects after completing the final two books of the Chronicles of Kin Roland Series (Weapons of Earth and King of Hellsbreach).
I'd like to thank everyone up to this point for their support and assure fans of the Grendel Uprising series that once complete, it will be a story to remember.
How Not to Launch a Book (or in this case a 19,000 word short story)
There are dozens of things a writer should do when releasing a new book or novella. I know this because, like many modern day authors, I have read all the books on how to self-publish and promote. I know that releasing a new title should be a huge deal with lots of bells and whistles, ARCs flung to all corners of the globe, and swag piled high. There should be pre-scheduled reviews and paid marketing on all the reputable sites for the genre.
Should be, but isn’t. Not this time.
I love the Grendel Uprising universe. Creating it has sparked some of the most fun I’ve had in years. I just can’t wait to share the story, so as soon as I satisfied my editor and did a final proofread, I started the upload process. Blood Royal, Episode 2 in the Grendel Uprising series, is now winging its way through cyberspace toward an Amazon outlet near you.
So let’s review. Proof Death is the first installment. Blood Royal is the second. The third, Heavy Weapons is a work-in-progress. The entire series has been outlined and is under constant development.
So without further adieu, please welcome Blood Royal to publication.
Grendel Uprising: Episode 2: Blood Royal
Loyal servants of the Earth System Commonwealth must pick a side. The assassination of Emperor Dan Uburt-Wesson has thrown civilization into chaos and no interim government will have the strength to hold the galactic empire together. Rumors of betrayal and rebellion spread from star system to star system as the real battle begins in the most unlikely place. Official news sources have (wrongly) confirmed that every member of the Imperial family is dead. The formation of a new galactic order is imminent. The Earth System Commonwealth has outlived its usefulness.
Only a handful of powerful people know that Aefel 70391, a decorated veteran of the First Armored-infantry Lightning Division, has located four juveniles that will change history. Can Aefel and his unlikely allies protect the Blood Royal? Has he chosen the wrong side?
Grendel Uprising: Blood Royal sets the stage for a war of rebellion, domination, and what it means to be human in the age of the Earth System Commonwealth.
The Grendel Uprising series combines science fiction and historical fiction. The setting is at once a world similar to England and Scandinavia during the time of the Danelaw and a pan galactic empire of advanced technology and deadly political upheaval. During a more prosperous time, entrepreneurs developed entire worlds as historical reenactment societies and allowed nature to take its course. Financial disaster took the planet of Grendel completely offline. There are precious few men or women who remember how they came to the alien world. Now they will face the godlike destruction of modern warfare.
Life is an adventure. I read to expand my horizons and write because I must.
- The Craft of Writing: 7 Magnificent Books
- Use of Force Myths
- A Really Useful Tool
- Project Rotation